Defense of King Midas

Nine twenty at night.

I had a sad dream a while ago about my mother; she was lonely and wanted me to drink with her. But it’s not like she visited me from beyond the grave. I simply remember her: she’s a part of my nervous system, which chucks up these images, randomly or otherwise, I couldn’t say for certain. But it’s also true that next month marks twenty years without her, so she’s been on my mind subconsciously. I can recall the first book I finished reading after she passed away: Typee by Herman Melville, and it felt so strange being in the house alone all day and night. Additionally I had the rest of the family to deal with, a totally different culture from Mom and Dad. Is it fair to call her a thoughtless epicure or was there more to her character than that? 

First of all, I wouldn’t say that hedonism is ever totally thoughtless; in some ways it’s an intelligent lifestyle. When two or more people get together who agree on pleasure, life can be paradise for them temporarily. The toughest dilemma ever for me was the decision between Epicurus and Zeno, or between Dionysus and Apollo. King Midas was given a pair of donkey’s ears because he preferred the music of Pan to that of Apollo: he was spiritually deaf, for Apollo represented the divine. But surely there’s another perspective on this story. Certainly Pan’s pipes produced a music that was very pleasing to the ear, though it wouldn’t be preachy like a moral sermon, but rather something sensual and fun to experience: it would make you feel good. And the real virtue of Midas’ preference was the rarity of it. Any garden variety person would have picked Apollo’s lyre, but King Midas was different from the norm. So I guess that’s sort of like my mother, sipping brandy and collecting gemstones from television offers. She was one of a kind. 


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