Musical Sunday

Noon hour. I’m hearing an old song by The Cars in my head: “Good Times Roll.” It was their old sound, before they went synthetic in the 80s… I wanted to buy some Snapples for Damien before it gets too warm out. I didn’t think of it on my trip this morning. I looked out for Number One instead. I think a lot of people are doing that, but it’s making us miserable. One thing I am enjoying, however, is A Farewell to Kings by Rush. I still haven’t heard all the bonus material or read the booklet. IMO, this album was the beginning of their more sophisticated sound, working with complex chords and soft subtleties. It was more sensitive overall than 2112, and more musical in the abstract. It was just different from their previous stuff. Basically, it was inspired.

Three twenty five. Damien hasn’t replied to my text from this morning, and he isn’t here yet. I take people too literally, I guess. He has things on his mind and a lot of work to do. I skimmed the liner notes to the Rush album. It goes into some musical detail about each piece, some of which looks inaccurate to me, particularly the analyses of time signatures, but I know I’m being pedantic. I’d forgotten that the band recorded it in Wales, so this explains part of the difference in temperament from previous records. Alex Lifeson also reports having used chorus effects on his electric guitar for a fuller sound… The music gets sort of lost in the translation into words. I can say with confidence that hearing these old songs makes me feel happy. And it’s very satisfying to sit down with my bass guitar and nail a part played by Geddy Lee on the original recording. I feel as if Rush were in the room. Who says rock and roll is dead? 

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